Artist of the Month: Rose Falcon

If you haven’t heard the name Rose Falcon before, by the end of this article, you’re going to wish you did.

Widow’s Lure will now have a monthly column featuring an artist of my choice, whether they be a big mainstream name or someone no one has ever really heard of. These pieces may have comments from the artist themselves, or will just be me speaking about how much I adore them. Stay tuned as a wide variety of artists will be featured on my website.

The first artist to be featured: Rose Falcon.

You can tell just by looking at her that she's different, can't you? (SOURCE: Rose Falcon's official website)

You can tell just by looking at her that she’s different, can’t you? (SOURCE: Rose Falcon’s official website)

This beautiful young lady has grown up in the country music industry; her mother passed away at a young age from breast cancer and so her father was forced to raise her by himself, and the singer-songwriter did so by taking her on tours with him. It was as if country music was meant to be in her blood. As if taking a page out of her father’s book, Rose grew up to become a singer-songwriter herself; some of her songs have been performed by the likes of Faith Hill and Lady Antebellum, and judging by how big those names are, it’s natural to assume that Rose is a superstar in her own right.

Falcon’s first album entitled Rose Falcon was released in 2003 while she was the ripe age of 19. Yes. She was 19 when her first album was released. Let that sink in for a while. Fast forward a decade and in 2013 andFalcon has released two separate EP’s, first 19th Avenue, the EP followed closely by  19th Avenue, the EP Volume 2.

Oh, and did I mention she’s married to country singer Rodney Atkins? So you can jolly well call her Rose Falcon Atkins.

Talking songs specifically on both of her latest EPs, Rose has a unique sound with a deep almost husky voice that is unmistakenably hers. Her song Guitar Man – which, for the record, is my personal favourite – perfectly illustrates what it’s like to be in a relationship to a musician who’s on the road for most of the year. The song which is evidently describing her relationship with Rodney as one would assume, the deep and soulful lyrics could make even the most concrete stronghold of a person break down a tiny bit. The emotions of this song are only made that more vivid by Rose’s soulful vocals.

The chorus of this slow, sweet song is what really gets to me. Brace yourself. “He comes and he goes, he’s here, then he’s gone. Says he’s tired of the road, but the show must go on. He’s all mine for a week, then he’s gone with the band. Sings that he’s always leaving with my heart in his hands. It sure is lonely loving a guitar man.” This one is for all the young girls or guys out there who think the life of a musician’s wife/husband is glamorous because, as Falcon clearly describes in this song, it isn’t all fun and games. But, as she sings “The moment that he holds me, it’s worth all the lonesome nights. I forget the heartache when he whispers that he loves me and sings to me the sweetest lullaby,” suggests that it’s not all rainy days being the lover of a guitar man.

The most popular song from her volume one EP, Thinkin’ ‘Bout You, which has the same soothing tune that has almost become Rose’s signature sound, features a more upbeat vibe than that Guitar Man. This track tells the story about Rose and a former flame of hers; they have gone on their separate ways and have found new partners, but, for some reason, Rose cannot stop thinking about this man. “I would have thought by now these feelings would be gone. I guess my heart must have a mind all of its own“, suggests that getting over a former flame is harder than it really ought to be. This song takes on a new angle of the typical love song, where she’s obviously developed strong feelings for this man and is having trouble getting over them, even though she knows she should. Those darn feelings.

Rose’s signature sound is what really makes her stand out among all the other young fresh female faces in her genre. Her slow, relaxed and almost laid-back song is what makes her Rose Falcon, and it’s what caused her to be the very first featured Artist of the Month on Widow’s Lure.

Recommended tracks
Guitar Man from 19th Avenue, the EP
Give In To Me from 19th Avenue, the EP

Another great thing about Rose is that her music can appeal to those whose interest doesn’t lie with the country music genre. Her music is easy to listen to and I can easily recommend it to those who dig blues, jazz or even pop music. Check out her latest EPs and some of her older music. You will not regret it!

– by Noah La’ulu

The Black Widow’s 30 Day Song Challenge

Having to remember to post a link to a song for 30 days is harder than it looks.

If you haven’t seen it around before (because I’m pretty sure these were floating around ages ago as well), there’s been a 30 Day Song Challenge fad surfacing on social media. What you do is you post a link to a song on your Facebook wall or Twitter profile with the day number and the reason why you’ve chosen said song. If it doesn’t make sense to you, it will soon.

30daysong

In honour of my 30 Day Song Challenge, I’ve decided to post it on here in its entirety, with a few comments attached to it so the reader can understand why I’ve chosen that piece of music.

Without further ado, here is my 30 Day Song Challenge:
Day 1 – Your favourite song
Sam Hunt – Cop Car. I have many favourite songs but this was the one that I thought of straight away. This song is so beautiful and knowing that bae (Hunt) originally co-wrote this for Keith Urban makes it that much greater.

Day 2 – Your least favourite song
Taylor Swift – Blank Space. I’ll keep my words short and sweet here, in fear of a defamation lawsuit, but I am not a fan of Taylor Swift.

Day 3 – A song that makes you happy
Sam Hunt – House Party. How could you not be happy when you listen to this song? I hate this music video though. So disappointed, Sam.

Day 4 – A song that makes you sad
Luther Vandross – Dance with My Father. In a similar manner, how can you not be sad when you listen to this song? I think of my father and start crying immediately.

Day 5 – A song that reminds you of someone
Chaka Demus and Pliers – Murder She Wrote. Tl;dr version of this story: for about the past seven years, I’ve called my best friend Rebecca “Maxine”, and it’s because of this song. It’s a nickname that actually sticks; I sometimes forget that her name isn’t Maxine.

Day 6 – A song that reminds you of somewhere
Ne-Yo – Can We Chill. My family had this album in our car for like the entire two years we lived in Goulburn, so now I have forever attached these tracks to my second favourite country town.

Day 7 – A song that reminds you of a certain event
Big and Rich – Save a Horse (Ride a Cowboy). My first experience at CMC Rocks the Hunter was in 2013 and one of the headlining acts was Big and Rich, and they absolutely killed it with this song.

Day 8 – A song that you know all the words to
Nicki Minaj – Anaconda. Once rapped this entire song to my friend Cara on the way home from Manly. Was great.

Day 9 – A song that you can dance to
Little Big Town – Pavement Ends. Line dances for days.

Day 10 – A song that makes you fall asleep
Lana Del Rey – Ultraviolence. Dat soothing melody.

Day 11 – A song from your favourite artist
Love and Theft – Thinking of You (and Me). This was my first LNT song. Everyone knows that Love and Theft are my boys. Everyone should grab a copy of their new album Whiskey on my Breath, available February 10.

Day 12 – A song from a band you hate
5 Seconds of Summer – Amnesia. I can’t even describe how much I despise this song.

Day 13 – A song that is a guilty pleasure
Ariana Grande ft The Weeknd – Love Me Harder. Not a fan of Ariana, or the lyrics to this song, or even this Weeknd fella. But I love this song.

Day 14 – A song that no one would expect you to love
Megadeth – She Wolf. Being a country fan, no one expects me to like metal. But I do. And I have a special place in my heart for Megadeth.

Day 15 – A song that describes you
Ne-Yo – Beautiful Monster. My best friend said this song as soon as I asked “What’s a song that describes me?” Not sure if shade or compliment.

Day 16 – A song that you used to love but now hate
Iggy Azalea ft Rita Ora – Black Widow. This song is played too often on the radio and now I’m sick of hearing Rita Ora sing my alias name.

Day 17 – A song that you hear often on the radio
AronChupa – I’m an Albatraoz. I don’t even know what an albatraoz is, and I don’t want to know after hearing this ghastly song on the radio every five minutes.

Day 18 – A song that you wish you heard on the radio
Ashley Madison – Other than My Wife. Technically not a song, but I wish this ad was played on the radio. I don’t necessarily condone the message, but it’s so damn catchy.

Day 19 – A song from your favourite album
Love and Theft – Angel Eyes. Easily the best selling song from the album. I love my boys!!

Day 20 – A song that you listen to when you’re angry
Knife Party – Bonfire. It just sounds like an angry song, doesn’t it?

Day 21 – A song that you listen to when you’re happy
Paul Simon – You Can Call Me Al. How could you not be happy when listening to this song?!

Day 22 – A song that you listen to when you’re sad
Love and Theft – If You Ever Get Lonely. This song can make me cry almost instantly, as soon as I hear the intro.

Day 23 – A song that you want to play at your wedding
Ed Sheeran – Thinking Out Loud. Should I choose to get married and have a horrid wedding, this song will play. And I will proceed to do the entire dance.

Day 24 – A song that you want to play at your funeral
Love Spit Love – How Soon is Now? As soon as my coffin is being lowered into the ground, I want this song to be playing. And everyone can cry like Piper and Phoebe did at Prue’s funeral.

Day 25 – A song that makes you laugh
Rihanna – We Found Love. Tl;dr my best mate Alexia has a funny story pertaining to this song and I laugh every time I hear it.

Day 26 – Your birthday song*
Whitney Houston – I Will Always Love You. 29th January 1993 reprazent.

Day 27 – A song that you wish you could play
Frederic Chopin – Prelude in E Minor. I’ve always wished I could play this song on the piano. But I can’t. So.

Day 28 – A song that makes you feel guilty
Wiz Khalifa – We Dem Boyz. I think this is the same as a guilty pleasure?

Day 29 – A song from your childhood
Billie Piper – Because We Want To. Anyone who denies being a fan of Billie Piper as a child in the 90s is a fat liar.

Day 30 – Your favourite song at this time last year
Steve Grand – All-American Boy. I imagine this was my favourite song at this time last year because I always played it.

* The originaly 30 Day Song Challenge says day 26 should be “a song that you can play on an instrument”. However, the only song I can play is Mary Had a Little Lamb and I wasn’t about to put that up, so I changed it. Deal with it.

– by Noah La’ulu

Review: Sam Hunt’s Montevallo

Artist: Sam Hunt
Album: Montevallo
Release date: October 27, 2014
Label: MCA Nashville
Genre: Country pop

Montevallo is the debut album for country music artist Sam Hunt, whose songwriting skills were featured on several country stars’ songs, such as Keith Urban’s Cop Car and Kenny Chesney’s Come Over.

samhuntmontevallo

First thing’s first, Hunt may be the very definition of a modern country man. His use of electronic synth arrangements and palm-to-knee slapping rhythm makes him immediately stand out from other male country music artists who choose to have a more traditional sound. His music is unlike any other in his genre and his contemporary look on “what is country” is definitely featured on the album. It’s also interesting to note that Hunt co-wrote every track on the album.

Montevallo may sound a bit “typical” for a first time listener. A majority of the tracks featured on the album are in some way about a woman and leaves a lot to be desired regarding Hunt’s diversity as an artist. While some of the songs feature a generic approach to the characteristic “country song about a woman”, Cop Car, for example, has a different way of expressing his feelings towards a woman which proves to be a nice touch to the album.

Hunt has his own unique sound which makes him stand out from other country artists. The catchy lyrics and quick-paced dynamic use of instruments in his debut single Leave the Night On dare to appeal to those who aren’t typically fans of country music. The pop-inspired hit would fit comfortably on the Country Music Channel as it would on MTV. Leave the Night On has a typical “bro-country” theme to it (country songs by men about getting drunk, girls in tight jeans, etc.) however it has its own charming appeal that’ll make your fingers tap and your head bop, and not roll your eyes and mutter “It’s just another country song”.

The way he mixes normal speaking with an outburst of song in Take Your Time and Break Up in a Small Town is an odd touch to his album, and I’m not too positive that’s a good thing. It kind of sounds like a musical where the character is engaging in dialogue and then randomly busts out into song and we, as an audience, are expected to think that is completely normal. It’s a unique twist to the typical song format, and for that, I applaud him for trying something new. However, these tracks that would otherwise be great listens with deep, emotive lyrics and a great sound, are mainly outstanding for the wrong reasons.

An interesting track to make note of on Montevallo is Single for the Summer; it’s probably the only track on the album that doesn’t have any typical country music traits to it: there are no mentions of drinking beer in the lyrics, and the quick strums of an acoustic guitar are also absent. This song has an almost dreamy sound to it with an electric synth-like sound and a slow, fading ending that makes you feel as if you are gradually dozing off to sleep. This daring track doesn’t seem fitting for a country-pop album but happens to be one of the best songs on the album for the sole purpose that is something very different that Hunt has tried and subsequently nailed as a music artist.

Overall, Montevallo is a step in the right direction for Sam Hunt that can be easy listening for all sorts of people, ranging from diehard country music enthusiasts to mainstream pop music fans and anywhere in between. His unique twist on modern country-pop music definitely makes for a great sound that can be repeated with a glass of white or a schooner of beer.

Or a bottle of water. If that’s your thing.

– by Noah La’ulu

Whatever Happened to My Rock N’ Roll?

It may be flogging a dead horse to point out that the music industry has gone all to hell over the past wee while but if post-mortem equine flagellation is what is required to make a positive change then Phar Lap and Red Rum need to watch their step in horsey heaven because it’s whipping time…

Reining in on the horse related puns… It does seem that the music industry needs to have a good sit down in a darkened room and have a quiet word with itself. It’s hard to remember a time when the radio has been so painfully difficult to listen to and popular music been so laughably bad.

A coke can for Mr. Derulo as he clearly always forgets his name. (SOURCE: Eva Rinaldi's Flickr photostream)

A coke can for Mr. Derulo as he clearly always forgets his name. (SOURCE: Eva Rinaldi’s Flickr photostream)

Messrs Guetta and Derulo seemingly engaged in some kind of battle for the already blanched souls of the world’s youth. What’s worse is they love it. They really love it. Try and point out that it’s unmitigated shite without any redeeming features, that it’s musically immature, emotionally stunted and sexist to the point of being insulting to the collective intelligence of every woman in the world (take a bow Derulo and Thicke). If you were to point out these unassailable truths, you would be met with derision for being too old to understand and probably you would be called a dick.

 And that’s fair enough. I called by own father a dick when he likened Radiohead to the sound of “a fella being drowned in a river in the fog” and said he “wouldn’t open the back window if they were singing in the yard” in relation to Jurassic 5. The difference is that he was wrong and we on this occasion are right. It’s piss poor music for people who don’t really like music.

You may well point out at this stage that the singles chart has always been insufferable bollocks chosen by the pre-pubescent and the lonely and… yeah, it has but it used to be a battleground. Where there was “Blue Da Ba Dee Daba Da” there was Blur and where there was Crazy Frog there was Belle and Sebastian. Recently it seems the war is has been lost. Top to bottom, song after song with no heart.

Please don’t feel I’m focusing unfairly on the boys. The women are letting the side down just as badly. Forget Regina Spektor and Karen O. Step forward Perry, Minaj, Swift and She Who Must Not Be Named… Ke$ha. These lot make Spears, Aguilera and ol’ humble tits herself Shakira look like excellent role models for youngsters the world over.

It’s Cowell and his ilk. That merry band of music killing morons determined to suck the last dying breath from an already choking music industry. If we allow the musical gene pool to become so stagnant that Simon Cowell is everyone’s daddy then the end result is a music industry born of incest.

Think of One Direction and their compatriots as sperm swimming away up the musical fallopian tube. Not our fastest swimmers I think you’ll agree. So One Direction (living up to their name in fairness), arrive at the egg which bears a striking resemblance to Danni Minogue who smiles beatifically down at tiny Harry Styles (she is 85,000 times bigger than him after all). He wiggles in and as they say, Robert’s your mother’s brother. Now repeat the process again and again and therein lies the problem. Lots of musical halfwits releasing songs with cunning titles like Best Song Ever, kicking their arms and legs at the same time on the musical swings and hobbling around and around the musical chairs.

I suspect many people out there would blame the internet for the decay of the once vibrant music industry and not many would object to that assessment. Radiohead’s Thom Yorke for example, described Spotify as, “the last desperate fart of a dying corpse.”

It’s hard to disagree with him when it would seem that a great (great) many of us have completely given up on paying for any music at all. A point aptly demonstrated when Radiohead’s In Rainbows was released and fans allowed to pay whatever they chose. The end result was 62 per cent of us decided that what we wanted to pay was nothing. And bearing in mind that was in 2007… I don’t think that percentage would change for the better today.

The result seems to be that to succeed you’re better off appealing to the majority. And considering the meteoric rise of Bieber and Swift I’ll just hold off on putting my faith in the wisdom of crowds.

There are of course more holes in my argument than in the rationale of a pro-gun lobbyist  and there are of course amazing musicians and bands coming out all the time, like The Tallest Man on Earth, The Milk Carton Kids and Cosmo Jarvis just to name a few (pardon the plug), but I think the point I’m making so badly is that for once wouldn’t it be nice if the biggest band in the world was the best band in the world?

– by James Andrews